![]() ![]() ![]() Unlike in The Passageway, this story feels like it could have a very unique direction for both the mystery and the characters. And that helps in turn with my investment in the characters and the mystery. I couldn’t help but grin through the past tense dialogue between the two friends. The character writing feels very real to me. ![]() In the present tense everything is rundown and empty. Sorrentino’s art, while less creatively formatted than The Passageway, is still incredible. We go from the start very sweet friendship accompanied by a very bright color palette to the dark and gritty present, Filled with dark and pale colors that give the feeling something is wrong. Much like in Hellboy In Hell, Dave Stewart’s coloring is a literal tone indicator. Of course, the art is still absolutely breathtaking. I’m excited to figure out what the feathers and the visions mean for our main character. I’m not an avid horror reader, although I do watch a lot of horror movies. This has mystery, character and of course a Lovecraftian monster. But for now, this is exactly what I wanted. I hope it doesn’t take the same route that The Passageway did by the end. ![]()
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